Images of Emotion vs. Emotion Words: A study using Galileo

 

The purpose of this study was to examine the differences, if any, in the way people perceived emotion words and pictures of people displaying those emotions. The six emotion concepts used by this study are those that have become accepted as basic emotions by most researchers in the last thirty years, namely, happiness, sadness, surprise, fear, anger and disgust (Ekman & Friesen, 2003).

 

354 undergraduate students [excel sheet to download with slight corrections discovered summer06] in all three sections of COM101 answered one of four possible Galileo surveys. The word survey asked participants to compare 21 pairs of emotion words (the six emotion concepts + "yourself") and the image survey asked participants to compare 21 pairs of images showing facial expressions of emotion (as posed by Dr. Mark Frank). Also, half the surveys used an alternate criterion pair (“anger and sad are 100 units apart,” rather than “happy and sad are 100 units apart”).

 

As shown in the image below, overall the word/image findings were similar.

 

 

 

Both the word and image surveys using the happy/sad criterion pair, shown below in two separate views,

followed the same pattern (sad, fear, anger, disgust). It should be noted, however, that sad & fear were

close on the word survey (see summary images at end).

 

 

 

The surveys using the anger/sad criterion pair, however, came out slightly different. Basically anger,

sad, and fear moved a bit.

 

 

 

The image concept placement changed to fear, sad, anger, disgust…

 

 

and the word concept placement changed to fear, anger, sad, disgust. This is perhaps clearer

when the anger/sad results are viewed alone.

 

(word placement using anger/sad pair)

 

(image placement using anger/sad pair)

 

So it appears that for some reason the anger/sad criterion pair surveys have yielded slightly different results.

Since the expected placement of the emotions (based on previous work in this area) usually seems to be

sad, fear, anger (Woelfel & Fink 1980, Plutchik 1962), it appears that the close pair words may have

somehow interfered with participants’ ability to judge concept relations. It also appears to have altered the

image results more than the word results. This raises yet another possibility as the previous studies used word

pairs. It is possible that the images were regarded differently--although this possibility is considered somewhat

less likely than it otherwise might be since the happy/sad criterion pair image survey yielded results similar to the

happy/sad word surveys. Nonetheless, the possibility that this difference was possibly in part due to the use of

images should not entirely discounted since Gordon’s work on criterion pairs indicates that an opposite pair

will yield results similar to no example pair (Gordon 1976).

 

It should be noted that the anger/sad surveys, especially the word surveys, exhibited more unusual responses

than the happy/sad surveys. Among the most memorable were the word pudding, the square root of 25, and

pie. These surveys also exhibited more answer changes and doodles.

 

So although the close pair appears to have helped spread/differentiate the images better than (although in the

same manner as) the opposite pair, it seems it may have been more difficult to grasp the idea of assigning

values both above and below the criterion pair. While the facial images prompted that somehow…the words

did not.

 

Future studies using different concepts are needed to further explore how different criterion pairs may or may

not influence survey results.

 

**To experience a Galileo survey first hand, feel free to visit The Galileo Matrix website—

where a number of surveys are continually being conducted.

 

[note 3-19-11: the galileo matrix link has been removed as that website no longer exists; the word happy-sad survey, however, is available at http://www.galileoco.com/surveyPortal/surveysNow.asp ]

 

 

 

A few last graphics/Summary of results:

 

angerSad image results

 

angerSad word results

 

 

happySad word results

 

happySad image results

 

Partial Literature Review

The idea of relating verbal communication (whether spoken or written) and nonverbal communication is not new. The purpose of this study is to examine the differences, if any, in the way people perceive emotion words (e.g., happy, sad, etc.) and pictures of people displaying those emotions.

Darwin in the late 1800’s was the first to systematically study facial expressions (Frank, 2003). He proposed that emotions were displayed in the same manner by people in all cultures (Darwin, 1898). Much of the research after Darwin, however, did not support his idea of universal emotions. It has been suggested that this subsequent disagreement may, at least in part, have been due to the fact that researchers were using a plethora of emotion words, some of which were largely synonymous (ex., rage, anger, and fury) (Frank, 2003).

Paul Ekman, who resurrected Darwin’s idea of universality by proposing a theory regarding cultural display rules (to explain why it sometimes appeared that people in different cultures showed the same emotion differently) (Ekman, 1999b; Harper et al., 1978), indicates that there are more words for emotions than there are emotions (Ekman, 1999a). Further, he notes that words are but representations of emotions, not the emotions themselves (Ekman, 2004).

This fits well with communication semiotic theory which states, among other things, that images represent things--yet also acknowledges that (for example) photographs refer to, yet are not equated with, the reality they depict (Littlejohn, 1999; Noth, 1990). Verbal signs (words), however, are not similar to what they represent in the same manner as a photograph (Ellis, 1992). Perhaps this is one reason that Russell was quite concerned with the format used in many studies of emotion (Russell, 1993). He felt that sometimes people would arrive at incorrect answers when only provided with a small list of emotion words in response to a picture.

The six emotion concepts used by this study are those that have become accepted as basic emotions by most researchers in the last thirty years, namely, happiness, sadness, surprise, fear, anger and disgust (Ekman & Friesen, 2003). While Ekman does acknowledge in his most recent book that the term happiness is problematic because of its lack of specificity, he notes nonetheless that most emotion research has concentrated on upsetting emotions rather than enjoyable emotions (Ekman, 2004).

He goes on to propose that the expression of enjoyable emotions may be differentiated from one another not so much by facial affect as by the timing of the facial expression and/or tone of voice (Ekman, 2004). As that sort of thing would clearly be beyond the scope of this present study, the generally accepted six basic Ekman emotions were chosen. These six emotion words have also been used in at least two similar studies comparing facial expressions and emotion words (although it should be noted that Brandt & Barnett actually used 7 concepts, these six plus interest-excitement) (Brandt & Barnett; Russell & Widen, 2002).

Since the late 1980’s a debate has been going on as to whether pictures may be more directly accessed by semantic memory than words. Some studies on this topic indicated that word categorizing was slower (Glaser & Glaser, 1989) while others contended that there was no significant difference between picture/word stimuli (Theios & Amrhein, 1989). More recent studies continue to maintain that pictures do have privileged access to semantic memory for categories (Seifert, 1997), yet the most recent studies continue to call that into question (R. Adolphs et al., 2000; Amrhein et al., 2002). While most of these studies have been concerned with the speed with which various pictorial or word tasks are performed, they are relevant to the present study in that they have generated various ideas on cognitive processes—some of which relate to neuroimaging techniques and studies.

Most studies have suggested that the left hemisphere of the brain is associated with language and the right hemisphere with pictures (Kim et al., 2004; Vandenberghe et al., 1996). Other studies grant that and also suggest the right hemisphere is involved with the recognition of emotion (R. Adolphs et al., 2000; Buck, 1999; Nakamura et al., 1999). Various patient studies also bear this out indicating that those with damage to the right hemisphere perform less accurate posed expressions of emotion (Canino et al., 1999), those with lesions in the right hemisphere have concept retrieval problems, and those with lesions in the left hemisphere have name retrieval problems (Damasio et al., 2004).

The most recent studies appear to bear out Farah’s contention that pictorial and textual comprehension processes do converge on a common system of knowledge representation at some point (Farah, 1989). As Damasio explains, it is not so much that the traditional account is wrong as that it is incomplete (Damasio et al., 2004). He suggests there is not one single system supporting word retrieval but several. This thought is also echoed by Posner who feels recent studies in regards to cognitive tasks suggest a network of operations (Posner, 2004). This concept is especially important in relation to image processing and seems to agree with findings in patient studies (Ralph Adolphs et al., 2003; Rich et al., 2002).

Finally, thinking about emotional concepts is also at least partly influenced by one’s own mood and experience (Dietrich et al., 2000; Niedenthaland et al., 1997; Pollak et al., 2000). 

 

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Amrhein, P. C., McDaniel, M., & Waddill, P. (2002). Revisiting the picture-superiority effect in symbolic comparisons: Do pictures provide privileged access? Journal of Experimental Psychology: Learning, Memory, and Cognition, 28(5), 843-857.

 

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